SCHEDULE
6.-10.1.2025: Recording of complete songs by Eyvind Alnæs with Ann-Helen Moen - soprano and Nils Anders Mortensen - piano for LAWO Classics
21.1-1.2: Europe tour with Bach Collegium Japan and Masato Suzuki in Mozart Requiem. Concerts in Paris, Madrid, Barcelona, Toulouse, Groningen, Düsseldorf and Den Haag.
Mozart c-minor mass with Jordi Savall and Le concert des Nations. Recording and concerts:
6.2: Barcelona
7.2: Valencia
10.2: Paris Philharmonie
13.-16.2: FestivAlta
Chamber Music Festival in Alta, Norway.
Music by Chausson, Ravel, Alma Mahler, Brahms etc
Bach St. John Passion with Antwerp Symphony Orchestra and Daniel Reuss
21.3: Antwerp
22.3: Amsterdam,
Muziekgebouw
27. and 28.3: Mahler 3rd Symphony with Oslo Philharmonic Orchestra and Jukka-Pekka Saraste
Schumann: Das Paradies und die Peri with Jordi Savall and Le concert de Nations. Recording and concerts:
5.4: Santander
Bach St. John Passion with Netherlands Chamber Orchestra and Daniel Reuss
11.4: Zeeuwse Concertzalen, Middelburg
12.4: Concertgebouw, Amsterdam
13.4: Grote Sint Laurenskerk, Alkmaar
Bach St. Matthew Passion with Bach Collegium Japan and Masaaki Suzuki
18.4: Tokyo Opera City
19.4: Tokyo Opera City
20.4: Saitama Arts Theatre
Schumann: Das Paradies und die Peri with Jordi Savall and Le concert de Nations. Recording and concerts:
8.5: Barcelona
12.5: Paris
13.5: Madrid
30. and 31.5. Mahler Symphony no 2 wth Calgary Symphony Orchestra and Rune Bergmann
13.-15.6: Bru Chamber Music Festival outside Stavanger, Norway
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BIOGRAPHY
"A singer with such a charisma challenged her colleagues." (Dreh-Punkt-Kultur) Mezzo-soprano Marianne Beate Kielland is famous for her strong stage presence and musical integrity. Gramophone Magazine writes about her: "The mezzo-soprano is quite outstanding: strong, firm, sensitive in modulations, imaginative in her treatment of words, with a voice pure in quality, wide in range and unfalteringly true in intonation."
Marianne Beate Kielland - mezzo-soprano is an outstanding Norwegian concert singer. She is educated from Norwegian Academy of Music, where she studied with Svein Bjørkøy. She has also studied with Oren Brown and Barbara Bonney.
She is one of Europe’s foremost classical singers, and regularly appears in the concert halls of Europe, Japan and America with conductors such as: Masaaki Suzuki, Juanjo Mena, Andrew Manze, Markus Poschner, Michel Corboz, Leonardo Alarcon, Herbert Blomstedt, Jordi Savall, Rinaldo Alessandrini, René Jacobs, Pablo Heras-Casadon Han-Na Chang and Ottavio Dantone.
Although Marianne Beate Kielland focused her 25 year long career on the concert repertoire, she has also performed operas on major opera stages, like Bolshoj-theatre in Moscow, Opera Comique in Paris, Opera Royal of Versailles, Salzburg Mozartwoche and New National Theatre in Tokyo.
In 2012 she was US Grammy nominee in "Best Vocal Classical Album» for "Veslemøy Synsk" by Olav Anton Thommessen, and with this and more than 65 other recordings and a wide range of repertoire and performances, she is established as a remarkable interpreter of music from baroque to contemporary era.
Marianne Beate Kielland is the artistic leader of Oslo Chamber Music Festival and also part-time associate professor at Norwegian Academy of Music in Oslo.
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Instagram: #mariannebeatekielland
CONTACT
General Management
Interartists Amsterdam
ROZEMARIJN
TIBEN
rozemarijn.tiben@interartists.nl
+31 634272282
DISCOGRAPHY - LATEST RELEASES
For streaming services, I strongly advise to listen to high-res streaming services and not Spotify, if you want to hear the quality of the recording.
For complete discography, CLICK HERE
VIDEOS
PRESS
NJ.com: Mahler songs with New Jersey Symphony
But the real power of these songs come from the vocal writing, and here Marianne Beate Kielland was truly golden in her interpretation. In possession of a rich, piercing Mezzo sound and excellent German diction Ms. Kielland made these old world songs feel fresh and immediate. She sang without the use of a score, as if the words and feelings were springing from her naturally. In her high notes, her voice throbbed with emotion. It was only 16-minutes long, but it made the whole concert worthwhile. "Songs of a Wayfarer" is one of the highlights of the NJSO season so far.
Ritmo.es:
Nebra with Al Ayre Espanol
Marianne Beate Kielland was the surprise of the evening. Kielland showed us an absolutely equal record in both the highs and the low ones. Her easy capacity for the legato left us precious phrases without prejudice to a great capacity for drama and power in the most forte passages. In addition her cadences were a delight.
Göran Forsling at Music web international about Mahler Einsamkeit:
I have lots of marvellous Mahler recording on my bending shelves, recordings that I will not voluntarily be separated from. This latest disc will now join those with Janet Baker, Christa Ludwig, Brigitte Fassbaender, Dietrich Fischer-Dieskau, Thomas Hampson and several others. I urge readers to follow my example.
About Sibelius Orchestrated Songs:
Kielland's even tone, flexibility and brilliant sensitivity to the text make this a rewarding collection (The Guardian)
- I don't know where Ms. Kielland has been hiding but I wish she'd get out more, she has a gorgeous instrument. (...) Svarta rosor is coming with me to the shower (Norman Lebrecht - The Critic)
- Norwegian mezzo-soprano Marianne Beate Kielland’s characterful performances are matchless, each song’s distinct character apparent. (Theartsdesk.com)
- Son timbre clair, sa diction nette et richement timbrée, son coloris parfois un rien morne cependant, rendent hommage au maître finlandais. (Resmusica.com)
DrehPunktKultur.at
«The incredible voice of Marianne Beate Kielland has left its mark on the 2019 Salzburger Festspiele | Salzburg Festival: "A particularly lucky choice had been made with Marianne Beate Kielland (Soprano II). She presented her Laudamus te in highly characteristic fashion, clearly articulated, also quick at hand with lyric elements. A singer with such charisma was almost a challenge for her colleagues. The three of them gave a well-balanced ensemble."
Bachtrack.com; Pergolesi and Durante with Freiburger BarockConsort
Kielland verzauberte mit einer Klarheit, Präsenz und inneren Anteilnahme, die ihre Grundlage in einem geeichten Kompass aus Phrasierung, Akzentuierung und wohlig geborgenem Timbre hatte. Er führte zu einer faszinierend-farbreichen Geschmeidigkeit und Öffnung, die die erste gesungene Klage Crimen adae quantum constat optimal ausleuchtete.
Kielland trumpfte dabei in noch anwärmenderem Charakter mit vibratolos angesetzen Leidenslängen ebenso auf, wie sie theatralisch, schlagkräftig und flammend dem aufrüttelnden Winden vor der Ermattung stupend effektvollen Nachdruck verlieh.
PHOTOS
Many of my portraits are taken by David Dawson.
Please follow him on Instagram: daviddawsonphoto