JANUARY
10.1 and 11.1 in La Coruna: Bach Magnificat and Tilge höchster with Sinfonia de Galicia and Carlos Mena
17., 18. and 19.1: Nebra Miserere with Al Ayre Espagnol in Arnhem, Amsterdam and The Hague
26.1 in Brussels: Beethoven Missa Solemnis with Belgian National Orchestra and Hugh Wolff
FEBRUARY
Tour with Ensemble Vocal de Lausanne and 18-century orchestra conducted by Daniel Reuss:
31.1 and 1.2: Beethoven Missa Solemnis in Nantes
3.2: Mozart Requiem in Zürich
5.2: Beethoven Missa Solemnis in Lausanne
6.2: Mozart Requiem in Gstaad
7.2 Mozart Requiem in Geneve
8.2 Mozart Requiem in Lausanne
15.2 in Liverpool: Beethoven Missa Solemnis with Liverpool Philharmonic and Andrew Manze
MARCH
11., 13. and 15.3 in Moscow: Purcell Dido and Aeneas (title role) at Boshoi theatre. Conductor: Christopher Moulds.
18.3: Bach St. John Passion at Oslo Church Music Festival with Barokkanerne and Stephan MacLeod.
25., 26. and 27.3: Couperin Lecons de Tenebres with Kings Consort and Robert King in Oviedo, Madrid and London. More info
APRIL
2. and 3.4 Copenhagen, Denmark: Mahler Symphony no. 3 with Denmark Radio Symphony and Marin Alsop.
St. Matthew Passion in Holland with Orchestra of the 18th century, Cappella Amsterdam and Daniel Reuss:
4.4 and 5.4: Muziekgebouw, Amsterdam
6.4: Musis, Arnhem
8.4: De Doelen, Rotterdam
9.4: Vredenburg, Utrecht
11.4 The national Opera, Oslo: Easter concert with Barokkanerne. Music by Ferrandini, Sances and Händel
Beethoven Mass in C-major with Anima Eterna and Jos van Immerseel:
18.4: Concertgebouw, Brugge
22.4: Coesfeld, Germany
26.4: Dijon, France
MAY
9.5 Concertgebouw Amsterdam: Mahler Knaben Wunderhorn with Dutch Radio Orchestra and Hannu Lintu
Marin Marais: Alcyone (title role) and Liceu opera in Barcelona with Jordi Savall. Performances: 16., 18., 20., 22. and 23. See teaser
27.5: Nebra Miserere with Al Ayre Espagnol in Gent, Belgium.
SCHEDULE
BIOGRAPHY
"Gramophone" writes about Marianne Beate Kielland: «The mezzo-soprano is quite outstanding: strong, firm, sensitive in modulations, imaginative in her treatment of words, with a voice pure in quality, wide in range and unfalteringly true in intonation.»
She is educated from Norwegian Academy of Music, where she studied with Svein Bjørkøy. She has also studied with Oren Brown and Barbara Bonney.
She is one of Scandinavia's foremost singers, and she regularly appears in the concert halls of Europe, Japan and America with conductors such as: Phillippe Herreweghe, Fabio Biondi, Jordi Savall, Rinaldo Alessandrini, Christophe Rousset, Marc Minkowski, Masaaki Suzuki, Thomas Søndergård, Eivind Gullberg Jensen, Thomas Dausgaard, Jos van Immerseel, Manfred Honeck, Daniel Reuss and Christian Eggen.
In 2012 she was US Grammy nominee in "Best Vocal Classical Album» for «Veslemøy Synsk» by Olav Anton Thommessen, and with this and more than 50 other recordings and a wide range of repertoire and performances, she is established as a remarkable interpreter of music from baroque to contemporary era.
MY VIDEOS
Dido´s Lament // Purcell
Laudamus Te (Mass in b-minor) // Bach
Dove sei - Ottone // Händel
Ombra mai fu - Xerxes // Händel
Norwegian Christmas song // Trad
Missa Solemnis // Beethoven
MY RECORDINGS
I have recorded and taken part in more than 50 recordings. Latest releases are shown here. For other recordings, please visit LAWO STORE
2019 Alia Vox // More here
2019 2L // More here
2018 LAWO Classics // More here
2017 LAWO Classics // More here
2019 BIS // More here
2016 LAWO Classics // More here
WHAT PEOPLE SAY
NJ.com: Mahler songs with New Jersey Symphony
But the real power of these songs come from the vocal writing, and here Marianne Beate Kielland was truly golden in her interpretation. In possession of a rich, piercing Mezzo sound and excellent German diction Ms. Kielland made these old world songs feel fresh and immediate. She sang without the use of a score, as if the words and feelings were springing from her naturally. In her high notes, her voice throbbed with emotion. It was only 16-minutes long, but it made the whole concert worthwhile. "Songs of a Wayfarer" is one of the highlights of the NJSO season so far.
Göran Forsling at Music web international about Mahler Einsamkeit
I have lots of marvellous Mahler recording on my bending shelves, recordings that I will not voluntarily be separated from. This latest disc will now join those with Janet Baker, Christa Ludwig, Brigitte Fassbaender, Dietrich Fischer-Dieskau, Thomas Hampson and several others. I urge readers to follow my example.
DrehPunktKultur.at
«The incredible voice of Marianne Beate Kielland has left its mark on the 2019 Salzburger Festspiele | Salzburg Festival: "A particularly lucky choice had been made with Marianne Beate Kielland (Soprano II). She presented her Laudamus te in highly characteristic fashion, clearly articulated, also quick at hand with lyric elements. A singer with such charisma was almost a challenge for her colleagues. The three of them gave a well-balanced ensemble."
Ritmo.es:
Nebra with Al Ayre Espanol
Marianne Beate Kielland was the surprise of the evening. Kielland showed us an absolutely equal record in both the highs and the low ones. Her easy capacity for the legato left us precious phrases without prejudice to a great capacity for drama and power in the most forte passages. In addition her cadences were a delight.